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6/
20

DEAR DONALD
Installation of ink-dipped newspapers hanging loosely over a rod

8/
22

WHAT SYSTEM I
 Installation with multi-coloured newspaper tubes

WHAT SYSTEM II
 Installation with multi-coloured newspaper tubes

THE ATLANTA SERIES
File folders of the Atlanta brand, coloured with gouache

4/
21

CROSSWORK I

Handbook of colour, based on a fresco cycle

10/
21

CROSSWORK II

An ever-changing field of coloured boxes in which the visitor can participate

5/
22

CROSSWORK IV

One day event at the monastery complex Hoogcruts

10/
22

CROSSWORK V

Small architectural objects in various arrangements

9/
23

CROSSWORK VI

Small prints of a cardboard installation in the studio

8/
23

CROSSWORK VII 

Second, minimal version of the handbook from Crosswork I

SPECIES

Secret gardens, created during the process of Crosswork VII

9/
23

THE CARBON SERIES

Transparent packing material of carbon paper

12/
23
W HOLE
Colour fields with holes, belonging to an unknown larger whole

9/
20
JUST WHISTLE
No explanation needed

11/
21
UNTITLED (for Etel Adnan)
Installation made as a tribute to Etel Adnan

7/
24
CROSSWORK VIII (Corner Pieces)
A little ode to the corner, where three surfaces meet and create space
Mark

The Atlanta Series  




September 2022
Old file folders of the Atlanta brand
Gouache
Size 48 x 31,5 cm / 48 x 35 cm

The old file folders feature printed grids meant to be utilised as a format. This system provides grip but also demands liberation. For this purpose, colour, rhythm and chance are used to turn the official frameworks into music. The tubes of gouache are leftovers from another artist, and the colours are put into the folder at random without personal, intuitive or rational interference. My role as maker consists of determining the moment to stop the actions. However, the works are never finished and can always be changed again. They are proposals.




Mark

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