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6/
20

DEAR DONALD
Installation of ink-dipped newspapers hanging loosely over a rod

8/
22

WHAT SYSTEM I
 Installation with multi-coloured newspaper tubes

WHAT SYSTEM II
 Installation with multi-coloured newspaper tubes

THE ATLANTA SERIES
File folders of the Atlanta brand, coloured with gouache

4/
21

CROSSWORK I

Handbook of colour, based on a fresco cycle

10/
21

CROSSWORK II

An ever-changing field of coloured boxes in which the visitor can participate

5/
22

CROSSWORK IV

One day event at the monastery complex Hoogcruts

10/
22

CROSSWORK V

Small architectural objects in various arrangements

9/
23

CROSSWORK VI

Small prints of a cardboard installation in the studio

8/
23

CROSSWORK VII 

Second, minimal version of the handbook from Crosswork I

SPECIES

Secret gardens, created during the process of Crosswork VII

9/
23

THE CARBON SERIES

Transparent packing material of carbon paper

12/
23
W HOLE
Colour fields with holes, belonging to an unknown larger whole

9/
20
JUST WHISTLE
No explanation needed

11/
21
UNTITLED (for Etel Adnan)
Installation made as a tribute to Etel Adnan

7/
24
CROSSWORK VIII (Corner Pieces)
A little ode to the corner, where three surfaces meet and create space
Mark

Species




August 2023
25 sheets of paper, oil pastel
Divided into 5 cardboard folders
Size 30 x 40 cm

While working on Crosswork VII, I used sketch sheets for finding the right blends of the hundreds of colours and cleaning the pastel crayons. Although the colours ended up on the sheets through my actions, there is no conscious creation. The works were created, as it were, by just my hands. The unconscious genesis and surprising beauty bring to mind secret, unexplored gardens. From this image, I provided the work with a cardboard casing, which needs to be unfolded to view the sheets.


Mark

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