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<channel>
	<title>Nieke Lemmens</title>
	<link>https://niekelemmens.nl</link>
	<description>Nieke Lemmens</description>
	<pubDate>Sun, 31 Dec 2023 12:53:06 +0000</pubDate>
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		<title>Home Image Scroll</title>
				
		<link>https://niekelemmens.nl/Home-Image-Scroll</link>

		<pubDate>Fri, 10 Nov 2023 18:24:59 +0000</pubDate>

		<dc:creator>Nieke Lemmens</dc:creator>

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		<description>&#60;img width="3000" height="4500" width_o="3000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/e28065a5960ea28ad4da056819c4dad9f31874afce509d333acc5ced042b717f/IMG_5802.jpg" data-mid="198910764" border="0"  src="https://freight.cargo.site/w/1000/i/e28065a5960ea28ad4da056819c4dad9f31874afce509d333acc5ced042b717f/IMG_5802.jpg" /&#62;
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&#38;nbsp; &#38;nbsp;&#38;nbsp;
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&#60;img width="3500" height="2385" width_o="3500" height_o="2385" data-src="https://freight.cargo.site/t/original/i/9dcb0ec908cb41f47c9d1e959ebad67ae35b69adcc415d0cae614771126a9f2a/IMG_8320B.jpg" data-mid="200815842" border="0"  src="https://freight.cargo.site/w/1000/i/9dcb0ec908cb41f47c9d1e959ebad67ae35b69adcc415d0cae614771126a9f2a/IMG_8320B.jpg" /&#62;


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	<item>
		<title>Dear Donald</title>
				
		<link>https://niekelemmens.nl/Dear-Donald</link>

		<pubDate>Fri, 10 Nov 2023 18:25:00 +0000</pubDate>

		<dc:creator>Nieke Lemmens</dc:creator>

		<guid isPermaLink="true">https://niekelemmens.nl/Dear-Donald</guid>

		<description>Dear Donald



	
&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/fe4bed7141b2afc1b0b0b5e0acabd8e1db56fa6bf3d24945a04b6c64e21f37dd/IMG_0086.jpg" data-mid="197848860" border="0"  src="https://freight.cargo.site/w/1000/i/fe4bed7141b2afc1b0b0b5e0acabd8e1db56fa6bf3d24945a04b6c64e21f37dd/IMG_0086.jpg" /&#62;




Museum De Domeinen Sittard (2020)

June 2020, ongoing&#38;nbsp;

48 newspaper sheets, ink, metal rod 

480 x 36 x 10 cm (variable)



An installation of ink-dipped newspapers hanging  loosely over a rod.


Against the temporary (the newspapers fall in the mailbox, while the news is already outdated) I want to set a timelessness. In the search for a universal language, there are similarities with modernist visual language, particularly with the work of Donald Judd. Further reflection on his work plays an important role in this process. Against his belief in industrialization, I juxtapose fragility, chance, temporality, changeability and nuance. From a distance, my work looks sleek and minimalist, up close the work is a tangible form of human action.




	&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/3b8af1698f91599a03296bdb6f7570c0e701f333b2e6d70ef4a745cc078e4d6a/IMG_4084web.jpg" data-mid="197848858" border="0"  src="https://freight.cargo.site/w/1000/i/3b8af1698f91599a03296bdb6f7570c0e701f333b2e6d70ef4a745cc078e4d6a/IMG_4084web.jpg" /&#62;


	




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	<item>
		<title>What System I</title>
				
		<link>https://niekelemmens.nl/What-System-I</link>

		<pubDate>Fri, 10 Nov 2023 18:25:01 +0000</pubDate>

		<dc:creator>Nieke Lemmens</dc:creator>

		<guid isPermaLink="true">https://niekelemmens.nl/What-System-I</guid>

		<description>What System I



	&#60;img width="3000" height="4500" width_o="3000" height_o="4500" data-src="https://freight.cargo.site/t/original/i/998dcf26f33e38c8f6f1b25806810e443b1e417e9c72d7d4751cce48be6e137a/IMG_5802.jpg" data-mid="198910707" border="0"  src="https://freight.cargo.site/w/1000/i/998dcf26f33e38c8f6f1b25806810e443b1e417e9c72d7d4751cce48be6e137a/IMG_5802.jpg" /&#62;




August 2022Newspapers, ink, string, chalk on paperAs in Dear Donald, the base is formed by newspapers dipped in colored ink. These are rolled up and strung together to form long chains. The fixed format and inflexibility of these rolls largely determine the form and possibilities of the installations. These form the parameters of the work. My research mainly focusses on the way these parameters can be brought together, while at the same time maintaining a certain freedom. 
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; The constructions work as slender frames, capturing the intangible space. The visitor is drawn into an almost weightless and timeless whole. Up close, the colors and words of the rolled-up newspapers enter into new relationships, both among themselves as with the surrounding space. 


&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/acf2fe502b9b4c53b08ceb87941cf73852bfb3c75f9cf094a6e5f3e06d9548b8/IMG_5804.jpg" data-mid="197855339" border="0"  src="https://freight.cargo.site/w/1000/i/acf2fe502b9b4c53b08ceb87941cf73852bfb3c75f9cf094a6e5f3e06d9548b8/IMG_5804.jpg" /&#62;




	&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/96ba17a6b47a0210d1453864a5c34e5e49c2cfe4d1fdca47abd92e4cdc666f8c/IMG_3938.jpg" data-mid="200707906" border="0"  src="https://freight.cargo.site/w/1000/i/96ba17a6b47a0210d1453864a5c34e5e49c2cfe4d1fdca47abd92e4cdc666f8c/IMG_3938.jpg" /&#62;

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	<item>
		<title>What System II</title>
				
		<link>https://niekelemmens.nl/What-System-II</link>

		<pubDate>Sun, 31 Dec 2023 12:53:06 +0000</pubDate>

		<dc:creator>Nieke Lemmens</dc:creator>

		<guid isPermaLink="true">https://niekelemmens.nl/What-System-II</guid>

		<description>What System II



	&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/df08c6e3d978423f1d9b06d48b6ced30fd589e8839a40dd1e8da09a0dbe4cbb8/IMG_7577.jpg" data-mid="200471218" border="0"  src="https://freight.cargo.site/w/1000/i/df08c6e3d978423f1d9b06d48b6ced30fd589e8839a40dd1e8da09a0dbe4cbb8/IMG_7577.jpg" /&#62;&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/aff19549e60893eca7a74aa2cc9ea735930631f6f6720ee305569d08a446ae1e/IMG_7507.jpg" data-mid="200471222" border="0"  src="https://freight.cargo.site/w/1000/i/aff19549e60893eca7a74aa2cc9ea735930631f6f6720ee305569d08a446ae1e/IMG_7507.jpg" /&#62;&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/c4570c4948d886d18aa994209f4b8460576198735027fe3ef57e9dbfe27ee32c/IMG_7664.jpg" data-mid="200471219" border="0"  src="https://freight.cargo.site/w/1000/i/c4570c4948d886d18aa994209f4b8460576198735027fe3ef57e9dbfe27ee32c/IMG_7664.jpg" /&#62;&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/b606ced45ee0fb55d53e321cfbf88f655637e9935e68082470059dd6d224e16f/IMG_7557B.jpg" data-mid="200471590" border="0"  src="https://freight.cargo.site/w/1000/i/b606ced45ee0fb55d53e321cfbf88f655637e9935e68082470059dd6d224e16f/IMG_7557B.jpg" /&#62;




November 2023Newspapers, ink, string, chalk on paperAs in Dear Donald, the base is formed by newspapers dipped in colored ink. These are rolled up and strung together to form long chains. The fixed format and inflexibility of these rolls largely determine the form and possibilities of the installations. They form, as it were, a system with which I will have to work. My research focuses mainly on how to use this system, but at the same time on how to achieve a freedom. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Because of their tenuous and suspended form in space, the constructions act as thin frames of the air/emptiness, which thereby becomes an experiential component. The viewer is drawn into an almost weightless and timeless whole. Up close, the colors and words of the rolled-up newspapers enter into new relationships, both among themselves and with the surrounding space, and the viewer is brought back into the here and now.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; (The moment the chains hang on the wall, new areas of inquiry arise for me. When is it a decoration? When and by what can the work transcend this? How do I view the decorative? When is decoration meaningful?)





	

	

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	<item>
		<title>The Atlanta Series</title>
				
		<link>https://niekelemmens.nl/The-Atlanta-Series</link>

		<pubDate>Fri, 10 Nov 2023 18:25:01 +0000</pubDate>

		<dc:creator>Nieke Lemmens</dc:creator>

		<guid isPermaLink="true">https://niekelemmens.nl/The-Atlanta-Series</guid>

		<description>The Atlanta Series &#38;nbsp;



	
&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/6fdbd16ba67ae5f9628998a7a1b37eddfbf6d3f3fec16b1141d671f046e35c11/IMG_6019web.jpg" data-mid="197850303" border="0"  src="https://freight.cargo.site/w/1000/i/6fdbd16ba67ae5f9628998a7a1b37eddfbf6d3f3fec16b1141d671f046e35c11/IMG_6019web.jpg" /&#62;

	&#60;img width="2386" height="3579" width_o="2386" height_o="3579" data-src="https://freight.cargo.site/t/original/i/a8d7a81b63a3caff0067644ba0b806821276d561d99a5a48e8a5b69abb89ff4e/IMG_6170web.jpg" data-mid="197850299" border="0"  src="https://freight.cargo.site/w/1000/i/a8d7a81b63a3caff0067644ba0b806821276d561d99a5a48e8a5b69abb89ff4e/IMG_6170web.jpg" /&#62;

September 2022
Old file folders of the Atlanta brand 
GouacheSize 48 x 31,5 cm / 48 x 35 cm
The old file folders feature printed grids meant to be utilised as a format. This system provides grip but also demands liberation. For this purpose, colour, rhythm and chance are used to turn the official frameworks into music. The tubes of gouache are leftovers from another artist, and the colours are put into the folder at random without personal, intuitive or rational interference. My role as maker consists of determining the moment to stop the actions. However, the works are never finished and can always be changed again. They are proposals. 

&#60;img width="3500" height="2319" width_o="3500" height_o="2319" data-src="https://freight.cargo.site/t/original/i/f7065b36014ea7c91e60029e5253bf62447c032ed1cc7f3b11b85ca607fbd1eb/IMG_6104web.jpg" data-mid="197850298" border="0"  src="https://freight.cargo.site/w/1000/i/f7065b36014ea7c91e60029e5253bf62447c032ed1cc7f3b11b85ca607fbd1eb/IMG_6104web.jpg" /&#62;&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/862025b6636235d6c03ed9e4a8f031721fde4c275c8c4812cc553152f95ff848/IMG_6035Bweb.jpg" data-mid="237600648" border="0"  src="https://freight.cargo.site/w/1000/i/862025b6636235d6c03ed9e4a8f031721fde4c275c8c4812cc553152f95ff848/IMG_6035Bweb.jpg" /&#62;
&#60;img width="4000" height="2667" width_o="4000" height_o="2667" data-src="https://freight.cargo.site/t/original/i/06161fd4210a19331c51da218eb3b3e8da9567542750a03bbde70043a9cbb49b/IMG_6045web.jpg" data-mid="197850300" border="0"  src="https://freight.cargo.site/w/1000/i/06161fd4210a19331c51da218eb3b3e8da9567542750a03bbde70043a9cbb49b/IMG_6045web.jpg" /&#62;&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/8632d620597684c864bbfb724ce4309275d01e2bec9403a35a2791e57bd778b7/IMG_7373web.jpg" data-mid="197850302" border="0"  src="https://freight.cargo.site/w/1000/i/8632d620597684c864bbfb724ce4309275d01e2bec9403a35a2791e57bd778b7/IMG_7373web.jpg" /&#62;</description>
		
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	<item>
		<title>Crosswork I</title>
				
		<link>https://niekelemmens.nl/Crosswork-I</link>

		<pubDate>Fri, 10 Nov 2023 18:25:02 +0000</pubDate>

		<dc:creator>Nieke Lemmens</dc:creator>

		<guid isPermaLink="true">https://niekelemmens.nl/Crosswork-I</guid>

		<description>Crosswork I


	&#60;img width="3500" height="2333" width_o="3500" height_o="2333" data-src="https://freight.cargo.site/t/original/i/8680136667cd7ec9ae562764468e68dfdce56a643f1a5f5895a33f2a166a9254/IMG_4980web.jpg" data-mid="197855621" border="0"  src="https://freight.cargo.site/w/1000/i/8680136667cd7ec9ae562764468e68dfdce56a643f1a5f5895a33f2a166a9254/IMG_4980web.jpg" /&#62;


April 2021Paper, gouache


This work is part of The Crossworks, an ongoing series of projects that have emerged from each other since 2021. The works have no definitive state nor form; they are always in transition. The interrelationship of color, matter, light and space is explored in this series. They are based on the fresco cycle “The History of the True Cross” by Piero della Francesca (± 1460; Arezzo, Italy). 
Crosswork I originated from a study of the use of color in the fresco cycle. The matte character of the gouache enables the colors to contain as much of the natural light as possible.  In the end this resulted in a work of 125 A3 sheets, each containing four colored fields. These sheets, containing a total of 400 different colors, serve as a handbook for all subsequent projects of The Crossworks. The individual sheets can also be shown as an independent work in different arrangements each time, depending on the space and the situation. 



	
	&#60;img width="3500" height="5250" width_o="3500" height_o="5250" data-src="https://freight.cargo.site/t/original/i/6591153324b3b827af464bd4982c9f2ac6923e4956bc5af8d5d91865085b2dfd/IMG_4986web.jpg" data-mid="197855619" border="0"  src="https://freight.cargo.site/w/1000/i/6591153324b3b827af464bd4982c9f2ac6923e4956bc5af8d5d91865085b2dfd/IMG_4986web.jpg" /&#62;
&#60;img width="2980" height="4032" width_o="2980" height_o="4032" data-src="https://freight.cargo.site/t/original/i/786a2638b1f2a23314fcd3305ac82966d8a3ac606da0505f0d1384b2024823fb/wand_icoon.jpg" data-mid="210262404" border="0"  src="https://freight.cargo.site/w/1000/i/786a2638b1f2a23314fcd3305ac82966d8a3ac606da0505f0d1384b2024823fb/wand_icoon.jpg" /&#62;Icoon Hoek van Holland (2024)

&#60;img width="3240" height="2160" width_o="3240" height_o="2160" data-src="https://freight.cargo.site/t/original/i/c46e5b5d955df08b280b324218cc13d65d450b416ac3e8d8a9a0fec2c1396b8d/CW1_Plateau_web_wielrenner.jpg" data-mid="218841348" border="0"  src="https://freight.cargo.site/w/1000/i/c46e5b5d955df08b280b324218cc13d65d450b416ac3e8d8a9a0fec2c1396b8d/CW1_Plateau_web_wielrenner.jpg" /&#62;Plateaukunst Margraten (2024)


&#60;img width="3445" height="1664" width_o="3445" height_o="1664" data-src="https://freight.cargo.site/t/original/i/49f3c09898eff5b1a1ff1eb4ca4afd30aa8586ce50a5adefba1bfc4279c84da9/CW1_Gallery_web.jpg" data-mid="237366417" border="0"  src="https://freight.cargo.site/w/1000/i/49f3c09898eff5b1a1ff1eb4ca4afd30aa8586ce50a5adefba1bfc4279c84da9/CW1_Gallery_web.jpg" /&#62;
Marieke Severens Gallery, Maastricht (2025)</description>
		
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	<item>
		<title>Crosswork II</title>
				
		<link>https://niekelemmens.nl/Crosswork-II</link>

		<pubDate>Sun, 26 Nov 2023 15:08:33 +0000</pubDate>

		<dc:creator>Nieke Lemmens</dc:creator>

		<guid isPermaLink="true">https://niekelemmens.nl/Crosswork-II</guid>

		<description>Crosswork II


	&#60;img width="5361" height="3573" width_o="5361" height_o="3573" data-src="https://freight.cargo.site/t/original/i/e080b68f2a0dfd42ab29a500989cfd8911e18baa8db68edfc4bd3b940269f7cf/nieke_lemmens2021_03_C6A7764.jpg" data-mid="200708238" border="0"  src="https://freight.cargo.site/w/1000/i/e080b68f2a0dfd42ab29a500989cfd8911e18baa8db68edfc4bd3b940269f7cf/nieke_lemmens2021_03_C6A7764.jpg" /&#62;&#60;img width="3500" height="1969" width_o="3500" height_o="1969" data-src="https://freight.cargo.site/t/original/i/0fee1fb577f4432c6e84e49ab15155950628201456e613c6d91d29269f957c51/NL2021_16_C6A7821web.jpg" data-mid="197855779" border="0"  src="https://freight.cargo.site/w/1000/i/0fee1fb577f4432c6e84e49ab15155950628201456e613c6d91d29269f957c51/NL2021_16_C6A7821web.jpg" /&#62;


October 2021
Used shipping boxes, pigments and casein
Lutheran Church, Maastricht

This work is part of The Crossworks, an ongoing series of projects that have emerged from each other since 2021. The works have no definitive state nor form; they are always in transition. The interrelationship of color, matter, light and space is explored in this series. They are based on the fresco cycle “The History of the True Cross” by Piero della Francesca (± 1460; Arezzo, Italy). 


For Crosswork II, discarded shipping boxes were painted on the inside with the colors from the workbook of Crosswork I. All colors were self-made from pigments and casein. The matte character of the paint enables the colors to contain as much of the natural light as possible. Irregularities in the paint and in the stroke were accepted, showing the traces of the hand. The colors of four of the five planes were determined by the workbook, the fifth plane being a personal choice. This gave me the opportunity to activate, harmonize or contrast the colors. The 4 raised sides provide an architectural addition, allowing light and shadow to play an even greater role. It also creates an ever-changing field of vision for the visitor who moves around and in-between the work. As a result, colors constantly enter into new relationships, both among themselves and with the surrounding space. The boxes can be presented both closed or opened, in which the visitor has the freedom to participate in the arrangement of the installation.</description>
		
	</item>
		
		
	<item>
		<title>Crosswork IV</title>
				
		<link>https://niekelemmens.nl/Crosswork-IV</link>

		<pubDate>Sun, 26 Nov 2023 15:11:04 +0000</pubDate>

		<dc:creator>Nieke Lemmens</dc:creator>

		<guid isPermaLink="true">https://niekelemmens.nl/Crosswork-IV</guid>

		<description>Crosswork IV

Fall &#38;amp; winter 2021-2022
50 bottoms and 50 lids of shipping boxes, casein and pigments 
Executed in May 2022; Monastery Hoogcruts&#38;nbsp;



	&#60;img width="4000" height="5333" width_o="4000" height_o="5333" data-src="https://freight.cargo.site/t/original/i/92e5d79679d730a2f6e9e52bf4ede1de5374dc5c3e2f3d545b84f02f67d7195f/DSCF9679web.jpg" data-mid="197855840" border="0"  src="https://freight.cargo.site/w/1000/i/92e5d79679d730a2f6e9e52bf4ede1de5374dc5c3e2f3d545b84f02f67d7195f/DSCF9679web.jpg" /&#62;&#60;img width="3314" height="2484" width_o="3314" height_o="2484" data-src="https://freight.cargo.site/t/original/i/421fd6a57e42838268767f017c0160a4d397e8238d7de069122f0b16245da654/IMG_6837web.jpg" data-mid="197855835" border="0"  src="https://freight.cargo.site/w/1000/i/421fd6a57e42838268767f017c0160a4d397e8238d7de069122f0b16245da654/IMG_6837web.jpg" /&#62;&#60;img width="3000" height="4000" width_o="3000" height_o="4000" data-src="https://freight.cargo.site/t/original/i/815dad7628c0f71b4db6757232e18fd50339dfce15ad4fe4f6b9288b393fec4f/DSCF9630web.jpg" data-mid="197855837" border="0"  src="https://freight.cargo.site/w/1000/i/815dad7628c0f71b4db6757232e18fd50339dfce15ad4fe4f6b9288b393fec4f/DSCF9630web.jpg" /&#62;&#60;img width="3500" height="4667" width_o="3500" height_o="4667" data-src="https://freight.cargo.site/t/original/i/cf763980da2bd4388d953aaff1b9efaac821fcd30cdbfb7adccfd78124d148ac/DSCF8776web.jpg" data-mid="197855839" border="0"  src="https://freight.cargo.site/w/1000/i/cf763980da2bd4388d953aaff1b9efaac821fcd30cdbfb7adccfd78124d148ac/DSCF8776web.jpg" /&#62;


Photography: Artware.pbk 2022 / Tineke Kambier


This work is part of The Crossworks, an ongoing series of projects that have emerged from each other since 2021. The works have no definitive state nor form; they are always in transition. The interrelationship of color, matter, light and space is explored in this series. They are based on the fresco cycle “The History of the True Cross” by Piero della Francesca (± 1460; Arezzo, Italy). 
By Artware.pbk I was invited to be a guest at the monastery complex HX Hoogcruts for one day from sunrise to sunset. An event in which a limited number of invited guests were given the opportunity to encounter the building, an artist, an object, an action, an event, a sound, the time of day and other visitors, based on the course of the canonical hours. &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; For this event, I provided 100 cardboard open boxes with colors from Crosswork’s workbook. All colors were self rubbed from pigments with casein. This matte paint allows the light to have an intense effect on the colors. Irregularities in the paint and in the stroke were accepted, showing the traces of the hand.  Four Planes were determined by the workbook, the fifth plane being a personal choice. This gave me the opportunity to activate, harmonize or contrast the colors. The four raised sides provide an architectural addition, allowing light and shadow to play an even greater role. It also creates an ever-changing field of view for the viewer moving around it, where colors constantly enter into new relationships, both among themselves and with the surrounding space. 
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; During my stay in Hoogcruts, I showed the work Crosswork IV not as a static object, but as a dynamic work process. This meant that during the day — depending on the changing incidence of light in the building — the work constantly moved and spread itself through all the spaces to catch the incoming light wherever possible. Thus a play of light, color and space was created. By moving with me, time and the work, the visitor became part of this creative process.</description>
		
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	<item>
		<title>Crosswork V</title>
				
		<link>https://niekelemmens.nl/Crosswork-V</link>

		<pubDate>Sun, 26 Nov 2023 15:18:20 +0000</pubDate>

		<dc:creator>Nieke Lemmens</dc:creator>

		<guid isPermaLink="true">https://niekelemmens.nl/Crosswork-V</guid>

		<description>Crosswork V



	&#60;img width="5472" height="3648" width_o="5472" height_o="3648" data-src="https://freight.cargo.site/t/original/i/8d131062fb834cb550f7fc4d0f779b8f1bc9fc9f5578f6abb55ebf5ac13ed8d3/IMG_6004web.jpg" data-mid="197855992" border="0"  src="https://freight.cargo.site/w/1000/i/8d131062fb834cb550f7fc4d0f779b8f1bc9fc9f5578f6abb55ebf5ac13ed8d3/IMG_6004web.jpg" /&#62;&#60;img width="3264" height="2448" width_o="3264" height_o="2448" data-src="https://freight.cargo.site/t/original/i/4019c8fff21f80d3e573a6d0e592635be2b4778dad31c948cc7d566901dc5b9a/IMG_1186web.jpg" data-mid="197855993" border="0"  src="https://freight.cargo.site/w/1000/i/4019c8fff21f80d3e573a6d0e592635be2b4778dad31c948cc7d566901dc5b9a/IMG_1186web.jpg" /&#62;
&#60;img width="3500" height="2252" width_o="3500" height_o="2252" data-src="https://freight.cargo.site/t/original/i/a4bd0508ae6366ebb698eeee03e3afd1664c63d408c85b0db88843dab05a0019/IMG_6218web.jpg" data-mid="200711726" border="0"  src="https://freight.cargo.site/w/1000/i/a4bd0508ae6366ebb698eeee03e3afd1664c63d408c85b0db88843dab05a0019/IMG_6218web.jpg" /&#62;


October 2022Cardboard,&#38;nbsp;pigments and caseinHeight 9 cm&#38;nbsp;

This work is part of The Crossworks, an ongoing series of projects that have emerged from each other since 2021. The works have no definitive state nor form; they are always in transition. The interrelationship of color, matter, light and space is explored in this series. They are based on the fresco cycle “The History of the True Cross” by Piero della Francesca (± 1460; Arezzo, Italy). 
Crosswork V consists of several cardboard plates that are pushed together two by two. This creates small architectural objects in various arrangements. While differing in length, they share the same height, giving the plates the option of interchangeability. Due to the matt character of the homemade paint, light and thus time have a great influence on this work. On a table, the objects look like models. On the floor, they become part of the bigger picture. As the viewer walks around the arrangement, the relationships among colours and the surrounding space continuously shift. 



&#60;img width="1512" height="2016" width_o="1512" height_o="2016" data-src="https://freight.cargo.site/t/original/i/bed722d59b2eb6d35d916d23861169e52706a0089b6fc7ee19efabb248bd9027/IMG_6973.jpg" data-mid="237366457" border="0"  src="https://freight.cargo.site/w/1000/i/bed722d59b2eb6d35d916d23861169e52706a0089b6fc7ee19efabb248bd9027/IMG_6973.jpg" /&#62;Icoon Hoek van Holland (2024)
</description>
		
	</item>
		
		
	<item>
		<title>Crosswork VI</title>
				
		<link>https://niekelemmens.nl/Crosswork-VI</link>

		<pubDate>Sun, 26 Nov 2023 15:20:42 +0000</pubDate>

		<dc:creator>Nieke Lemmens</dc:creator>

		<guid isPermaLink="true">https://niekelemmens.nl/Crosswork-VI</guid>

		<description>Crosswork VI


	&#60;img width="3500" height="2475" width_o="3500" height_o="2475" data-src="https://freight.cargo.site/t/original/i/17927a5090919564d3086992381842f7a88d11f9528af61ff7d30440695bdd5c/CW6.jpg" data-mid="197856226" border="0"  src="https://freight.cargo.site/w/1000/i/17927a5090919564d3086992381842f7a88d11f9528af61ff7d30440695bdd5c/CW6.jpg" /&#62;&#60;img width="3500" height="2475" width_o="3500" height_o="2475" data-src="https://freight.cargo.site/t/original/i/6c7a2fc65abf3bb0504930d34a91135316852584d76c6df0e91764cfda19f929/CW63.jpg" data-mid="197856228" border="0"  src="https://freight.cargo.site/w/1000/i/6c7a2fc65abf3bb0504930d34a91135316852584d76c6df0e91764cfda19f929/CW63.jpg" /&#62;&#60;img width="3500" height="2475" width_o="3500" height_o="2475" data-src="https://freight.cargo.site/t/original/i/eb3cbaed1f94bf4309c3d17f133a4c0390082acbe582cbdf080edd9d931d7aec/CW66.jpg" data-mid="197856231" border="0"  src="https://freight.cargo.site/w/1000/i/eb3cbaed1f94bf4309c3d17f133a4c0390082acbe582cbdf080edd9d931d7aec/CW66.jpg" /&#62;&#60;img width="3500" height="2475" width_o="3500" height_o="2475" data-src="https://freight.cargo.site/t/original/i/a177a1bc33ca0f1b69a71e81ed8a00fb07f2d48c8ec3a80123a495e55215a672/CW610.jpg" data-mid="197856243" border="0"  src="https://freight.cargo.site/w/1000/i/a177a1bc33ca0f1b69a71e81ed8a00fb07f2d48c8ec3a80123a495e55215a672/CW610.jpg" /&#62;&#60;img width="3500" height="2475" width_o="3500" height_o="2475" data-src="https://freight.cargo.site/t/original/i/3bc86ea3e808df42c520111c36ca80c1d1b47c36134474c52aa665d3c4c25cc1/CW69.jpg" data-mid="197856241" border="0"  src="https://freight.cargo.site/w/1000/i/3bc86ea3e808df42c520111c36ca80c1d1b47c36134474c52aa665d3c4c25cc1/CW69.jpg" /&#62;
	&#60;img width="3500" height="2475" width_o="3500" height_o="2475" data-src="https://freight.cargo.site/t/original/i/c7035c8bf6fc0726cdef5b5634a9f5ca9564a4617a729e0666c0a64b639b2ee9/CW62.jpg" data-mid="197856227" border="0"  src="https://freight.cargo.site/w/1000/i/c7035c8bf6fc0726cdef5b5634a9f5ca9564a4617a729e0666c0a64b639b2ee9/CW62.jpg" /&#62;&#60;img width="3500" height="2475" width_o="3500" height_o="2475" data-src="https://freight.cargo.site/t/original/i/182d3b62d7a202713092d1b1179bd24d75a83999b430107015fe3ceeca1c48ae/CW64.jpg" data-mid="197856229" border="0"  src="https://freight.cargo.site/w/1000/i/182d3b62d7a202713092d1b1179bd24d75a83999b430107015fe3ceeca1c48ae/CW64.jpg" /&#62;&#60;img width="3500" height="2475" width_o="3500" height_o="2475" data-src="https://freight.cargo.site/t/original/i/5851a63bfb8ee09ca386fe49330c7ec448ebd6dd38d1f4bc5e559deb7a5bd310/CW65.jpg" data-mid="197856230" border="0"  src="https://freight.cargo.site/w/1000/i/5851a63bfb8ee09ca386fe49330c7ec448ebd6dd38d1f4bc5e559deb7a5bd310/CW65.jpg" /&#62;&#60;img width="3500" height="2475" width_o="3500" height_o="2475" data-src="https://freight.cargo.site/t/original/i/e89cfeb997de5bb0659c37035900604ea7c5ad853c462251a7c5dfbddca97066/CW68.jpg" data-mid="197856234" border="0"  src="https://freight.cargo.site/w/1000/i/e89cfeb997de5bb0659c37035900604ea7c5ad853c462251a7c5dfbddca97066/CW68.jpg" /&#62;&#60;img width="3500" height="2475" width_o="3500" height_o="2475" data-src="https://freight.cargo.site/t/original/i/cc410fa27bd57f02bc307f25baaad01352fb2a2aaf853438adcd09933dd8f1ae/CW67.jpg" data-mid="197856232" border="0"  src="https://freight.cargo.site/w/1000/i/cc410fa27bd57f02bc307f25baaad01352fb2a2aaf853438adcd09933dd8f1ae/CW67.jpg" /&#62;



April 2023 — September 2023&#38;nbsp;Photoprints on Hahnemühle paper11 x 7 cm; with passepartout 29,5 x 21 cm


This work is part of The Crossworks, an ongoing series of projects that have emerged from each other since 2021. The works have no definitive state nor form; they are always in transition. The interrelationship of color, matter, light and space is explored in this series. They are based on the fresco cycle “The History of the True Cross” by Piero della Francesca (± 1460; Arezzo, Italy). 


One morning, I had the idea to use the cardboard elements from Crossworks II and III to build a coloured environment in which I could dwell — a concept reminiscent to the utopian ideals pursued by artists of De Stijl. However, it was rough, messy and alienating because of the old material (cardboard) and random use of colours. The work was built on an intuitive and changeable basis with no concept or plan, bearing a resemblance to the improvised décor or the favelas in South America. Capturing photographs and small prints of the work allows for the gross materiality to be transcended, providing greater access to the viewer's imagination. 

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